Once you’ve
registered your sound recording (your CD) with the U.S. copyright
office, these rights belong exclusively to you and you alone
(provided, of course, that you are the actual copyright owner). No
one can take those rights from you.
Once your song is registered, you no longer have to worry about
someone stealing your song idea and taking credit for it. If
someone does that, gets a hit out of it and you can prove the song
is yours with your registered copyright, you are going to smile all
the way to the bank when the court awards you damages, which can be
very high for copyright theft.
How to Copyright Individual Digital
Creations
What if you only want to copyright a single song (or video, or
photo, or article, or blog or whatever) to prove it’s yours?
See http://www.myfreecopyright.com/
. At this web site
you can upload your digital files, be they music, video, pictures
or whatever, and they are instantly copyrighted and you can prove
the date/time of registration. The service is free, and it’s a very
simple way to copyright your individual music creations. Just so
you know, however, even though you can use this digital copyright
in a court of law to prove infringement, you cannot collect
statutory damages from the infringer. You can collect lost profits
that might be determined, but not statutory damages which is
generally where the big money comes from. To collect statutory
damages, you still need to send in a registration form into the
copyright office as stated above.
What About Creative
Commons?
There is an alternative means
by which you may copyright your work called Creative Commons
( http://www.creativecommons.org
). Basically what
this does is create a copyright for your music whereby instead of
all rights being reserved, only some rights are reserved. This
invites others to use your work for certain purposes without having
to get permission from you first. In theory, this means people
searching for music to use in their products or digital creations
are more likely to use your music if they don’t have to jump
through a lot of legal hoops to make use of it. So, for example,
you might allow a song to be used in a non-commercial product (ie.
no financial profit for the distributor) without forcing the
licensee to get permission from you, but still reserve the right to
collect a royalty if the product in question is a money-maker. The
Creative Commons copyright is still a rather new concept, and there
are many variations on it that may make the concert confusing for
the potential licensee. Even so, it is something to at least be
aware of if the concept becomes more widely recognized and
accepted. For a list of the different Creative Commons licenses
available, see http://creativecommons.org/about/licenses/meet-the-licenses
What About International
Copyright?
If you are not a citizen of
the United States, obviously the comments above do not apply to you
as every country handles the copyright process a bit differently.
However, chances are that your homeland is a member of the World
Intellection Property Organization (WIPO). If so, you can start
researching your copyright options at http://www.wipo.int/members/en/
. Select your
country name from the WIPO list, follow the “contact information”
link, and that will take you to a page that lists the web site
address of the copyright office for your country.
Some notable and related links from this article:
The
U.S. Copyright Office: http://www.copyright.gov
Copyright and Fair Use: http://fairuse.stanford.edu
Copyright Your Web Site: http://www.gocopyright.com
Copyright Form SR: http://www.copyright.gov/register/sound.html
Copyright Your Digital Creation: http://www.myfreecopyright.com
World Intellectual Property Org: http://www.wipo.int/members/en/
.
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